Now before you decide I'm just saying that to protect the mystical sources leaving messages on my computer, or emmitting subliminal impulses only I can hear, let me assure you it's much simpler than that. I just listen to my characters.
Oh, I have a clue as to where things need to go. I have parameters in place, lines I won't cross, subjects I'm not qualified to write about. But I admit it, I'm a "pantser." I don't outline. I write a brief synopsis which I refer to as I'm writing, but it's definitely subject to change as the story progresses, or rather, as the characters tell their story.
Once Stani informed me of his claim to fame and fortune, it led to a tie-in with Emily's background, the conflicts between their very different worlds, and all kinds of potential plot lines. Soon other details piled on. Hair color (Red? Really?). Height (Only 5'7? Not your typical tall, dark and handsome!). And background--Stani is British, raised by a Hungarian couple, befriended by a British policeman-turned-bodyguard, and a New York socialite. And on and on. That's the way the story unfolds for me. Character breeds plot. At the heart of Stani's character lies his phenomenal gift, and that gift dictates his career and his lifestyle. Thus, it's fair to say the violin is the driving force behind what has become a four-volume series.

I really like the sound of this book. Best of luck.
ReplyDeleteThanks! Hope you'll help yourself to a copy starting tomorrow!
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